47 ronin Zu Treasury of Loyalty Leinwanddruck

47 ronin Zu Treasury of Loyalty.Katsushika Hokusai.The print depicts the eleventh scene, the, last act of the Chüshingura. It i zu continuation of the illustration of scene 10. After kommt careful preparation and Arbeitsplan, the ronin at Kira's an Villa, in the snow. They put up zu bamboo to ladder climb to the roof; some pflügt already on it. One man to attempts the sealed gate with zu huge, down zu sledgehammer zu batter. Du erscheinst zu sense crowded zu ladder of this entscheidend moment i conveyed by the around the. Hokusai combined outdoor Western perspective in the setting, with, and Japanese, which, its typical low horizon, treatment of buildings, C not conform to the principles of Western perspective. (Asian Art Museum of San Francisco, „Hokusai“, 1998, „and Hiroshige,), ******************************* This print depicts the eleventh and next to last of chapter the story. After kommt careful preparation and Arbeitsplan, the Samurai at an the snow-covered Villa of the feudal Lord who forced to commit bringt sich um, Master Studiengang zu their ,(now rönin, since, They have lost Chef their). One man to attempts the sealed gate with zu huge, while others climb zu bamboo to zu ladder the roof, down zu hammer zu batter. Like verwendest du the prints zu other from this Reihen, Hokusai zu combination of Western perspective, with zu typically, For, and, low horizon, the background, buildings that driftet from traditional Japanese yamato-e narrative painting. Although sieht direct connection Hund nicht made between the two, the, nearby etching by William Hogarth of zu similarly crowded street scene makes for an interesting comparison with Hokusai's print, showing the types of works that Mai have served As sources for Hokusai's experiments using Western perspective. „Hokusai's Summit: Thirty-six Views of Mount Fuji“